n. 吉亚柯梅蒂,阿尔贝托(1901–1966,瑞士雕塑家和画家,其作品最典型的特点是消瘦和极高的人体形状,如《指方向的男子》(1947))
BNC.49974
双语例句
For the next ten years Giacometti struggled to find his way, at first working from the model and then working from memory. 之后的十年里,贾克梅蒂极力寻找一条属于自己的道路,先是基于真人模特的创作,而后转向了基于记忆的创作。
After World War II, Giacometti found that he could retain that particular sense of reality by making tall figures extremely thin and without detail. 二战结束以后,贾克梅蒂发现,他可以把人体塑造得十分细长并忽略所有细节,这样也能保持上述那种独特的真实感。
Lotar gazes at us in silence and creates around himself an almost holy aura, an effect much like that of the ancient Egyptian statues Giacometti so admired. 洛塔沉默地凝视着我们,身周仿佛笼罩着一圈近乎神圣的光环。这种效果与贾克梅蒂极其赞赏的古埃及雕像所体现的那种效果十分相似。
Assuming Giacometti's metaphorical composition in presenting life and death, he self-heals with a sense of presence found through yoga. 仿效贾科梅蒂以隐喻结构来表现生命与死亡,利用瑜珈的存在感知作为自我治疗。
With all the many similarities in their aesthetic styles, Paul C é zanne ( 1839-1906) and Alberto Giacometti ( 1901-1966) show many more differences in their aesthetic features owing to their respective living environments, life experiences, and visual and thinking modes. 贾克梅蒂和塞尚在审美方式上有许多相似之处,但由于不同的生活环境和人生体验,以及不同的视觉思维方式,也导致了画家审美特征的诸多差异。
On Artistic Features of Giacometti's Works 浅谈贾珂梅第作品的艺术特征
The article analyzes and discusses the artistic characteristics of Giacometti, who is an important modern artist in the West, based on the analysis of the social environment, mentality, painting subjects and style transformation. 全文以分析社会环境、心理因素、绘画题材、风格转变为基础,析述西方现代重要艺术家贾珂梅第作品的艺术特征。
Figurative Expressionism painting is mainly reflected in the practice of painting, from Arica, Moriyama-fang, to Bresson, painters from Cezanne, Giacometti, Meranti to DeLong in the pursuit of a common vision real basis, to explore a different language. 具象表现绘画的研究主要体现在绘画实践中,从塞尚、贾科梅蒂、莫兰蒂到德朗,从阿里卡、森山芳到布列松等等,画家们在追求共同的视觉真实的基础之上,探索各自不同的语言表达方式。
Alberto GiacoMetti is a famous artist in the twentieth century, His searching for truth and the unique visual problems, make him became a unique artistic style. 阿尔贝托·贾科梅蒂是二十世纪著名艺术家,他对真实的素朴探求,对视觉问题的独特追问,使他的艺术形成了独特风格。
By questioning time, Giacometti began to face the existing problems, not satisfied with the way that Modernism expresses time as a concept. 贾科梅蒂不满足于现代主义将时间作为一个观念去表述,他通过对时间的追问开始直面存在的问题。
Rodin and Giacometti live in different time, and their sculpture styles are also quite different. Although Rodin and Alberto Giacometti handle unique art style in their sketches, some similarities are still existed. 罗丹和贾科梅蒂生活的年代不同,雕塑风格也有很大的差异,虽然罗丹和贾科梅蒂的素描有着独特的艺术风格,在他们的素描艺术上却有一些相似之处。
This article focuses on Alberto Giacometti painting and painting the spirit of the linear structure, as well as self-creative relationship between the painting. 本文主要论述贾科梅第绘画的线性结构与绘画精神以及自我绘画创作之间的关系。